This incredible image from the past just got shown at #4c14: http://t.co/jbRWzlzheu
— Stephen Carradini (@scarradini) March 20, 2014
"A DJ, like an archivist, is an information professional." #4c14
— Stephen Carradini (@scarradini) March 20, 2014
DJ Lynee Denise: "Diggin in the crates" is a metaphor for the discovery through research of an item that is rare and hard to find. #4c14
— Stephen Carradini (@scarradini) March 20, 2014
@DearSommer dropping GEMS with audio from the Cold Crush Brothers in 82 at the Audubon Ballroom in NYC, from DJ Dan-O's collection. #4C14
— Langston Blues (@dradambanks) March 20, 2014
I love cassette tapes. I'm thrilled that @DearSommer is talking about the history of them as they relate to hip-hop. #mixtapes #4c14
— Stephen Carradini (@scarradini) March 20, 2014
@DearSommer working on a mixtape research database as part of the Mixtape Museum. Incredible, important project. #4C14
— Craig Crowder, PhD (@CraigCrowder) March 20, 2014
Listening to a 1982 mixtape by Cold Crush Brothers. This is an absolutely awesome intersection of culture, music, and technology. #4c14
— Stephen Carradini (@scarradini) March 20, 2014
Summer is working on Mixtape Research Database, digitizing mixtapes. Wants to map circulation of mixtapes in the future. #4c14
— Dr. LaToya L. Sawyer (@LaToyaLydia) March 20, 2014
The Mixtape Museum founder Sommer McCoy is sharing the history and importance of mixtapes. Early mixtapes costs $1/minute! Crazy. #4c14
— Dr. LaToya L. Sawyer (@LaToyaLydia) March 20, 2014
Listening to a 1982 mixtape by Cold Crush Brothers. This is an absolutely awesome intersection of culture, music, and technology. #4c14
— Stephen Carradini (@scarradini) March 20, 2014
@DearSommer mentions Jared Ball's _I Mix What I Like!: A Mixtape Manifesto http://t.co/gE5EICnGe6 #4C14
— Kyle (Home)Sted-man (@kstedman) March 20, 2014
There is a museum of mixtapes. It is called @MixtapeMuseum. This is awesome. #themoreyouknow #4c14
— Stephen Carradini (@scarradini) March 20, 2014
Hearing about the Mixtape Museum (http://t.co/eaz1ZW9TcU) in Featured Session E. #4C14
— Kyle (Home)Sted-man (@kstedman) March 20, 2014
About to attend a panel on the Mixtape Museum which archives analogue mixtapes! #4C14
— Keith Dorwick (@KeithDorwick) March 20, 2014
Getting ready for @DearSommer presentation and the mixtape museum panel. It's in the room on the 3rd floor with the good music. #4c14
— Craig Crowder, PhD (@CraigCrowder) March 20, 2014
If Professor Davis was a mixtape… Keith Gilyard says she's "Never on pause, never on mute." #4C14
— Sommer aka Tape Girl (@DearSommer) March 20, 2014
I love how mixtapes encourage the *audience* to make connections. Green is tying Sugar Tongue Slim to Bartholomae, Spellmeyer. #4c14 #g28
— Kyle (Home)Sted-man (@kstedman) March 21, 2014
Green: mixtapes privilege pluralities instead of hierarchies. #4c14 #g28
— Kyle (Home)Sted-man (@kstedman) March 21, 2014
David Green in #g28: Mixtapes are vital for writing studies, both as a subject and a method. #4C14
— Kyle (Home)Sted-man (@kstedman) March 21, 2014
https://twitter.com/watchii2/status/447063627947069440